visual communication designer
visual communication designer
i'm a graphic designer with a background in product design, working across identity, typography, visuals, and product-led outcomes, with a concept-driven, system-oriented approach.
i'm a graphic designer with a background in product design, working across identity, typography, visuals, and product-led outcomes, with a concept-driven, system-oriented approach.
i'm a graphic designer with a background in product design, working across identity, typography, visuals, and product-led outcomes, with a concept-driven, system-oriented approach.


why work with me
I bring genuine curiosity to every brief and I'll ask questions before I open Illustrator. I work best with people who want to make something considered: a brand that holds together under scrutiny, a visual system that feels inevitable rather than assembled, a piece of design that earns a second look.
I'm collaborative, I take feedback well, and I'll push back when I think there's a stronger idea underneath. I'm not here to make things pretty. I'm here to make them right.
I bring genuine curiosity to every brief and I'll ask questions before I open Illustrator. I work best with people who want to make something considered: a brand that holds together under scrutiny, a visual system that feels inevitable rather than assembled, a piece of design that earns a second look.
I'm collaborative, I take feedback well, and I'll push back when I think there's a stronger idea underneath. I'm not here to make things pretty. I'm here to make them right.
When I'm Not Designing
Outside of work, I'm almost always making something - experimenting with clothes, cooking things that may or may not come together, slowly filling notebooks. I'm curious about process in the wider sense: how rituals form, how aesthetics develop, how people communicate identity through the small choices they make every day. It finds its way into the design eventually.
Outside of work, I'm almost always making something - experimenting with clothes, cooking things that may or may not come together, slowly filling notebooks. I'm curious about process in the wider sense: how rituals form, how aesthetics develop, how people communicate identity through the small choices they make every day. It finds its way into the design eventually.










